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September 8, 2004
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Felagundby ~Eldanis

Scraps©2004-2013 ~Eldanis
Part 2 of a diptych. This drawing is about 2 1/2 years old, completed a semester after part one, Amarie.

Finrod Felagund is my favorite character in Tolkien's Silmarillion.

The tengwar text reads: "Finrod Felagund Amariendil :: she whom he had loved was Amarie of the Vanyar and she went not with him into exile :: Berendur"
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:iconalmeruve:
It's Finrod! I love this! :D
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:iconarwenamidala:
*ArwenAmidala Oct 8, 2007  Hobbyist General Artist
oh this is beautiful. Like so many (it seems) I LOVE Finrod.
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:iconaautio:
I really like your portrayal of Finrod, it's very much like i see him.. and he's also my favourite. :) That thoughtful expression is wonderful and the colours are beautiful in both this and the second half with Amarië.. They make a truly beautiful pair. :)
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:iconelbenlady-elanor:
He is my fav char too. I love how you drawed him.
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:iconeldanis:
Thanks you so much! There is simply not enough Felagund love.
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:iconnalana:
I actually haven't read the similarion (bad me! big Tolkien fan as I am.....time. gah.) REALLY like the portrait! Fantastic.
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:iconelegaer:
wonderful colour scheme - he truly looks both beautiful and wise
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:iconpeet:
I think I'll have to add to the chorus of voices approving of the frame, it's beautifully done. And as well, the portrait is excellent too. Ah, our beloved Felagund! He looks so fair!
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:iconeldanis:
I thank you for your comment - this piece and its companion, Amarie (wish I could get the dieresis (sp?) over the second e!), are some of my personal favorites, and Finrod Felagund is, I feel, portrayed far too infrequently. I wanted to give them a slightly art-nouveau look with their shape and the frames; was I successful? Alas, however, they are very old pieces - I now only see that poor Felagund's nose is too long, and other such mistakes. Perhaps I ought to do updated versions?
I haven't done any Tolkien art in a very long time, and I think I need to return to my first love (for such his works are for me). I have greatly enjoyed seeing your own recent work - I am only sorry that I have not commented on any of them. I especially enjoyed your picture of Turin in his last moments, standing by the waterfall. I prefer it when your portray a scene more fully, though, as it seems you do, I also see many scenes on Tolkien's work far more close up - the turn of a head, the look in an eye, or a split second of thought changing the features of a face.
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:iconpeet:
Ah, I'm guilty for not having portrayed Finrod yet as well ^^;. I don't see why I haven't actually, as he is one of my favourite Elves. Oh well, I'll have to rectify that one day.
I think you were successful at creating this in a slighty art-nouveau fashion. The facial features in particular remind me of this, as there is a soft, almost graceful elegance to his look, which suits what you were trying to portray. The border also works well to compliment this, as well as the subtle colouring. It's a wonderful piece, and you shouldn't go so hard on yourself. Though I understand what it's like to look at an old piece, and only see it for it's mistakes. That can be hard to shake off sometimes. I don't know, it's up to you if you want to do it again. Perhaps it's too soon to be thinking like that, or perhaps you're ready to try again. What's for sure, however, is that I personally wouldn't object to any sort of new Tolkien art from you, whether it be a remake of this or something totally different :nod: ;).

Thank you for the compliments regarding my work. I'm glad you like it -- I've been enjoying 'The Silmarillion' very much recently, though my next painting is back to 'LotR', which I haven't painted much from for a while. Don't worry about not commenting, it's fine :). But can I just ask for you to elaborate on the last part of your comment there (below), as I didn't quite understand what you meant. Thanks, and keep up the great work! :D

'prefer it when your portray a scene more fully, though, as it seems you do, I also see many scenes on Tolkien's work far more close up - the turn of a head, the look in an eye, or a split second of thought changing the features of a face. '
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